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This is the shelf where we stopped being restrained. It isn't a single family of knives built to one recipe — it's the pieces that didn't fit anywhere else and were too good to leave out. Stabilised burl wood cast in resin — sapphire blue, crimson, deep charcoal, or a swirl of teal and amber all at once — shaped into a handle and polished until it looks like something pulled out of the sea. Because the resin is poured and cut by hand, the pattern is decided by chance. The handle you receive will not be the handle in the photograph, and that is the whole idea.
The blades are not an afterthought. Most are built around a VG10 core clad in 67 layers of Damascus and hand-polished. One line carries a striking feather pattern across the steel — a crisp spine with fine chevrons sweeping out on both sides — paired with a black G-10 composite handle for cooks who want the performance without the colour. Another is hand-forged from 440C steel with dark ebony handles, and the Kuro cleaver is forged full-tang in a single heavy piece, with no decoration at all.
These are the knives people pick up off the magnetic rack and ask about. They also happen to cut extremely well, which is the order we think those two things should come in.
Aoi, the Gyuto with the blue resin handle, is the one we put on the front — one blade, every job. Niji, the 8″ Kiritsuke, suits a flatter cutting style and finer work. Kuro, the 7″ Chukabocho cleaver, is the heavyweight: a tall, straight, 435 g blade that goes through squash and swede without arguing. From there the sets let you build a whole block in one style, from two pieces upwards — each set is sold complete, with the knives listed on its page.
Hand wash and dry straight away. Resin is durable but it is not fond of dishwashers, prolonged heat or being left in water. Keep the blades off bone and frozen food, hone between uses, and sharpen on a whetstone rather than a pull-through.